Robin Trower 1999 Tour Reviews

March 17, 1999 - The Boardwalk, Orangevale, CA

Ron Braun

I saw an excellent show in Orangevale (a Sacramento suburb) last night (St. Patrick's Day) at a club called The Boardwalk. Two local bands opened the show, which began around 7:45 p.m.

First was Oil Can, a young three-piece band, which played hard edgy rock with a blues undercurrent (particularly evident when they covered Hendrix's 'Hey Joe'). The bassist's vocals were very cool when they could be heard, and it seemed there was some difficulty bringing up him upin the mix coming out of choruses and solos. Oil Can has a talented guitarist, but a he focussed a bit too much on scales, finger-fretting licks and tricks thrown in for style.

The Second band, called Crying Blue Rain was a huge step forward, hitting the stage around 9:30 p.m. Another 3-piece, with guitar & vocals handled by Corky Newman--a large man reminiscent of John Popper of Blues Traveller in his suit jacket and black haltmade [sic] his guitar seemed small, but man, could he play some chords! Other band members, according to their latest CD 'Second Hand Blues' are Bill McCloskey, the bass player who's an older guy with blond hair playing a brown sunburst bass; and John Weaver on drums. Although I couldn't tell during the first song (it sounded great--well-balanced vocals over heavy bass), Newman apparently had a monitor problem. Tthe mixers at the back quickly rectified that for the rest of the set.

After a break for the set change around 10:40 p.m., the lights dimmed for Robin Trower, who eventually hit the stage around 11:00. Robin looked very old & frail, with thinning gray hair, but his guitar playing and vocals were definitely not. They were in fact very powerful and intense.

Robin was wearing black slacks and a long black jacket over a dark gray mettalic or satin shirt, but by the third song had lost the jacket. Incredible bass and vocals was provided by Livingston Brown, who was wearing a charcoal-colored shirt with silver zippers on the pockets, black leather pants, a black jacket with a matching black leather hat on backwards, and dark sunglasses. Livingston's vocals were seamless, and searing--smooth as hot butter. His growling bass perfectly accentuated Robin's brooding, aggressive playing. Liv (as he signed his autograph later) had two bass amps:, one Marshall with two large speakers; and one larger unit with eight smaller speakers. He played the same bass throughout the show--a white on blonde Fender P-bass (sic). He had a second bass on a stand behind the band, but never changed instruments. He obviously relished playing behind Robin's masterful leads.

I couldn't make out the drummer from my vantage point until later in the show His name is Alvino Bennett, a very gracious and approachable man (as I found out later after the show). His kit initially appeared small, with a Gretsch bass drum, three black toms and a floor tom (with possibly a roto at the far right), and a large sand and gold- colored snare. Alvino told me this was and eight-inch snare. He had five large gold Paiste cymbals and two very small cymbals in the center of his kit. He also had a windchime hidden behind the snare.

Robin's guitar stand had six guitars on it--all appeared to be Fender Strats. He played a white on blonde Strat for most of the set, changing to an aqua-blue axe for only one song (Secret Place from '20th Century Blues' CD). Robin's amps appeared to be three "tweed external" 4x12 Marshall speaker cabs, one Marshall amp head, and two Fender amps (Hot Rod Devilles possibly) on top of the Marshalls.

The set list was identical to the 3-3-99 San Juan Capistrano show. The vocals were handled by Livingston except where noted.

Too Rolling Stoned
Rise Up Like The Sun
No Time
I Want You To Love Me *
Prisoner of Love
Secret Place
Blue For Soul * (a new 1999 song)
Day of The Eagle
Bridge of Sighs
20th Century Blues
Sweet Little Angel *
Little Bit of Sympathy
Encores:
Crossroads *
Extermination Blues **

* = vocals by Robin; ** = 1st verse by Robin, 2nd by Livingston

Several shirts and hats were being sold at the back, along with 20th Century Blues posters, and two CD's (including 'This Was Now 1974-1998').

I've never seen the Boardwalk so packed, and it was a true pleasure to meet the band after the show. They were unassuming, approachable, and charming, and seemed to have enjoyed the performance. The crowd was appreciative, giving thunderous applause throughout. Alvino was polite, and answered my silly questions about his set-up (I say silly, as I am not a drummer and don't know the difference between a ride, crash, or splash cymbal).

I was especially taken with Livingston's humor, geniality and cordiality. He spoke to me and a few other fans for some time even though the other band members were already in their vehicles. His surprising British accent was very prominent. Robin was escorted quickly out of the concert hall and into a waiting black Lincoln town car. He was patient and polite enough to sign various Trower and Procol Harum albums, and posters and CD sleeves from his passenger side seat through a rolled-down window for approximately 20-25 more-than-appreciative fans (although he seemed quite tired, and after a stunning performance like that, I don't blame him!).

All in all I could not have planned a more exciting and awesome St. Patrick's Day, and I look forward to date when I can meet the band again here in Northern California or elsewhere on "the road." Rock on Robin Trower!

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March 18, 1999 - The Peppermill, Reno, NV

Mike Metcalf

I just attended the Reno Peppermill Show last nite. Since I live in Sacramento, I had earlier decided to forgoe the closer Boardwalk Show and travel the 100+ miles to Reno, rent a room at the Peppermill and make a holiday out of it . . . and it was very much worth it!

The Peppermill by 4 p.m. had combined its convention areas to accomidate a large crowd on the second floor. The Marshall Amps and Gretch kit were mostly set up. It seemed kind of strange attending a Trower Concert in a Casino, but at least you had waitresses availabile for drinks! The lineup began forming at 6:30 p.m. at the doorway (showtime was set for 8:00 p.m.), and steadily grew around and around the passageways. The doors were supposed to open at 7 but hadn't by 7:20. News came that the band had been delayed at the airport. Not sure why . . . I guess they fly behind the roadies! Anyway, the doors finally opened, the place was jammed to the hilt by 8:15 and still no band! However, the crowd was very patient.

The stage manager said they were due any second and said that the concert had been a blowout-sellout and he wanted to go to a festival seating. This brought on a highly negative response fron the first 8 rows as they would be forfeiting their chairs. The stage manager then backed off and "The Man", Livingston and Alvino then hurredly entered the stage to hunderous applause. Robin grabbed the blonde Strat and did a wicked major chord intro slide up the neck at full volume. The crowd came alive to "Too Rolling Stoned".

The set was identical to the one at the Boardwalk," No Time" was good, however I missed the vocal power of Pattison on that one. The crowd seemed to really enjoy the new song , "Blue For Soul" , (acknowledging that Robin's new Feb 2000 CD is long overdue). Trower wore a pinstripe suit withih a metallic maroon shirt, and lost the jacket after two songs. He does at first appear aged, but this impression totally disappears when he smiles into the crowd.

His riffs were razor sharp; as tight as ever; seamlessy flowing from flawless main chorus hardness into quiet, slowly building cresendo loops; then dropping swiftly into brooding, biting blues outbursts that were intense, emotional and hot. Not one note was wasted. You can see his very deep concentration into the heart of "blues essence", infused with the feel he aquired from '20th Century Blues'. Livingston Brown effortlessly maintained a solid bass throughout, and overall, handled the vocals very well. Alvino was powerful and aggressive on the kit and his beat blasted all the way to the rear. Robin switched to the mint Strat for one song, then back to the blonde one. He sang the blues perfectly.

The band got to the last song, "Little Bit of Sympathy", way too soon, and then they were off the stage. Time seemed to fly by so quickly, I kept asking myself if I would ever get to see this legend again. Artists like this just don't, won't an can't tour forever.

The band returned for an encore, finishing with Crossroads and Extermination Blues--they blew out the place. It was absolutely great, but just too short! But, dont you miss this show! The MAN STILL HAS IT!

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March 30, 1999 - Medina Entertainment Ctr., Hamel, MN

DT

I saw Robin Trower in a small ballroom last night--great sound and the crowd was really into it. Trower played for about 2 hours--old and new stuff. Pretty amazing. I can't name many of the songs he did, but I did know 'Too Rolling Stoned' and 'Bridge of Sighs'. He also played "Sweet Little Angel' by B.B. King and "Crossroads" by Robert Johnson, Both were excellent.

Clayton Giles

I went to the show at the Medina last night. It was the first time I have seen Robin Trower in 20 years. It was not only a great trip back in time, but it also got me thinking to what I have missed. The show was awesome, but didn't have the best sound due to the venue. Regradless, RT's masterful playing and legendary guitar sound were able to dominate and soar above any sound deficiencies the venue imposed on him and his band.

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March 31, 1999 - Modjeska Theatre, Milwaukee, WI

Billybob

I just returned from one damn good show in Wisconsin. Man, this trio is tight! if you can get to a show you will not be disappointed! The show was a fine mix of old and new, and was greeted with raves from the enthusiastic attendees. this was the first Trower concert for me and my wife. I picked up the new live CD set at the show and can't wait to check it out. It seemed Robin was genuinely impressed with the reaction from the howling crowd. They were literally screaming for more at the end. The band obliged with a two song encore, including a great cover of 'Crossroads'!

Joe P. Kavanaugh

The first thing I noticed was that Robin was playing with a much cleaner tone. A lot of the leads were somewhat clean, and I saw a little more refined group. They really played tight, and had a variety of quiet verses and cranked parts. Robin's bends were played with the most precise touch - something only a guitarist with several decades of practice could master. He pulled off those fat fuzz overdriven licks ala Jimi that no one in this world can duplicate. He did one ballad and a few songs from his new album, but otherwise did the old hits. His encore was Crossroads (which he sang himself) and then a song that sounded very close to Jimi's Red House. To close, I'd just like to say that Robin's library of guitar chords is incredible - a big chunk of them sound more like jazz chords than blues or rock. He really is a very talented guy. I need a dose of him every year.

Rog

First off, let me say I'm a huge Robin Trower fan and will see him live ANY time I can, but..... I've seen the "Someday Blues" tour and the "This Was Now" tour a total of eight times, I've walked away with the same impressions each time. While the band is extremely tight, and Robin's playing has been supurb I've been disappointed each time for the same reasons. Robin has almost totally abandoned his back catalog.

Playing songs exclusively from Someday Blues, Twenty Century Blues and Bridge Of Sighs does not properly represent who Robin is and what he has done musically. On this go around, including last Wednesday's show at the Modjeska Theater, he included "No Time" from the Passion album (great song), B.B. King's "Sweet Little Angel" and a (to this point) unreleased new song, but the set is toooo bluuuusey.

Paying homage to the blues is admirable and Robin has said himself that he's got all the "true blues songs" out of him, I can only hope this is true. To end the set with "Little Bit Of Sympathy" (which rocks) and then play "Crossroads" and "Extermination Blues" for the encore has been disappointing. In my mind Robin is one of the finest ROCK guitarists ever, period. Does anyone remember: "Twice Removed From Yesterday", "Fine Day", "Gonna Be More Suspicious", "Victims Of The Fury", "Shame The Devil", "Fool & Me", etc. etc. etc.

If Robin comes to your town, GO SEE HIM, he awesome, but the setlist needs to be revamped. Let's rock Robin! You do it like no one else can.

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April 1, 1999 - House Of Blues, Chicago, IL

Dave Salzman

It's a thursday night in the windy city and I'm driving through car packed streets to the Chicago House of Blues. "A Tale Untold" is soaring through my car speakers and I'm getting ready for the set of the year. Some friends of mine, "Mother Root" are opening for the man tonight (as they've had the pleasure of doing on several occasions in recent years). I finally get parked and walk in to the House of Blues. The electricity is already in the air and it's still 2 hours before showtime.

"Mother Root" hits the stage at about 9:00 and the place is packed. They did a real nice rockin' set and now the stage is set. The crowd is pumped and the huge curtain slowly opens. The unmistakable roar of Trowers strat fills the room as the band strikes a chord in unison that segways into "Too Rolling Stoned". Ahhh, it's NOW showtime and believe me....it was kicking.

I've read some of the other reviews and the set seemed like the same as other shows. The only things I'd like to see him do are these. Think about getting another lead singer. I love Liv's playing and singing but a front man with a little greater range would be a nice addition. (however, replacing Jimmy Dewar is just not even something minutely possible) and secondly I'd like to see him perform more of his catalog of album tracks that he has packed our CD and LP treasure chests full of for years. How great it would be to hear "It's Only Money", "Hannah", "Shame The Devil", "Long Misty Days" or something from "Victims" or "Caravan".

I've been a Trower fan since 1974 (seen him dozens of times since then and had the pleasure of meeting him on a couple of occasions) and it's tremendous how he has continued to lead the way, staying within the trio format, and painting masterful soundscapes with every recorded release and every show. Tonight's show was no exception. The ethereal bends with controlled feedback and dynamics on "Bridge of Sighs". The gorgeous chord voicings on "Secret Place". The classic sliding 7th chords of "Little Bit of Sympathy" and all the bluesy soulful tunes in between. He may not be the most well-known guitarist of recent decades but from my perspective, he clearly sails above even the pinnacle of rock/blues guitarists on this planet, and it sure has been a pleasure to hear and experience all the offerings he has shared with us here on Earth below. Thank you Robin!

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April 2, 1999 - House Of Blues, Chicago, IL

Jeff

Well, the show was everything I expected! I drove 200 miles to see him. The back up band was killer--a three-piece blues-rock band from Ohio (The Eric Jerardi band). Much to my suprise, they kicked ass. They did a couple of great cover tunes including 'All Along The Watchtower'.

Robin took the stage a little late, but at 11:00 they made their entrance with, of course, Too Rolling Stoned and the crowd went nuts. With a crowd of 1500, the venue was sold out, but The House Of Blues itself sucked--they have the worse seating arrangment ever. Robin's new song, 'Blue For Soul' was perfect as was every song, but Robin looked a little tired and didn't smile much til after the third song. Then he seemed to be getting in a better mood, but nevertheless, his playing was even better than last year when I seen him.

Livingston and Alvino were kickin it hard as well. After 'Little Bit Of Sympathy', we decided to leave, only for reason that we were pooped and had a long drive home. This makes the fifth time I have seen Robin play and I must say that he gets better every time. I really wish he would change his set list a little more often. Robin has so much good material, I crave to hear some of his other stuff. However, it was great to hear a cut from the Passion album, 'No Time'. 'Bridge Of Sighs seemed to very extended--this time even longer, and it was the crowd's favorite according to the applause. On a scale of 1 to 10, I must give it a 10+++ . . . Absolutely perfect!

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April 3, 1999 - 7th House, Pontiac, MI

Scott Crisp

I had a chance to see Robin last night in Pontiac, Michigan. He played a small club called the 7th House. It holds about 400 people and was completely filled up. The doors opened at 8:00 and the opening band came on stage at around 9:45. The were a really good blues band with a great singer. It was a band put together from guys from other local bands, just to open for Robin. They even played "Rock me baby" which I thought was cool, since Robin also plays that sometimes (or at least did, earlier in his career).

Robin hit the stage at 10:45, and ripped right into his show. He was wearing a pair of pinstripped dress pants and a black silk shirt. The set list is the same as the other shows on the tour.

This was my 3rd time seeing him and he played like I have never heard him play before! He was absolutely on fire, right from the start of his show. He sang a few tunes and he has an excellent "blues" voice. I stood right in front of him for the whole show and was rewarded with a pick that he used for the first half of the show! It's red with his name in silver letters. He smiled the whole time he talked to the audience, and you can tell he loves doing what he does.

The highlight for me was his 15 minute version of 'Day of the Eagle'. He was just amazing! He played his aqua Strat for most of the show, used his blue Strat for one song, and a blonde Strat for another, and then went back to the aqua one for the rest of the show. If anyone has any doubts as to whether they should go to see him. I have just one thing to say. DON'T MISS HIM!

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April 6, 1999 - Newport Music Hall, Columbus, OH

Jaacas

Its been about five years since I've seen Robin. Anyone that thinks he is too frail an old to play is making a big mistake. The show was awesome as usual. It was the same set that has been listed in the above reviews. The show started at about 10:15 and ran till about midnight. Capacity at the Newport (one of the old agora chain of halls) is about 1500 and there were probably 1400 in attendance. The vocal mix appeared to be off a little, but with most of the focus on Robin it didn't really matter too much.

Robin recognized a lady in the crowd that was attending her 50th Trower show! We met her after the show, a nice lady from Detroit. This had to be the best $12.50 I've ever spent in my life. After the show Robin waited in line to sign CDs that we purchased. He is a very friendly and approachable man. No rock star "I'm better than you" attitude. I asked how Jimmy was doing and he said not very well. To anyone out there that is debating whether or not to go see robin again . . . don't wait. I guarantee you will not be sorry. I hope to see him again real soon.

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April 8, 1999 - Daytona's, Riviera Beach, MD

Steve Stanton

I just saw Trower in Baltimore for the second time--the first was in 97 at the Village Inn in Lancaster, PA. He was great both times! I wasn't really impressed with song selection this time around--wanted to hear Daydream, In This Place, and anything off of Victims Of The Fury (my favorite CD). I would have paid a lot more for the ticket too (only 12 dollars lol) if he played these tunes. But, I will never miss a Trower show ever again. Can't wait 'til next time. Long live the blues!

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April 9, 1999 - Theatre Of Living Arts, Philadelphia, PA

Matt H.

I just got back from the TLA. The two opening bands played, then the cymbals were taken off of the drum kit and an announcement was made to the effect that Robin Trower would not be performing due to "safety" reasons. I left immideately as some were trying to get their money back at the ticket window.

Afterword: I found out why Trower refused to perform last night at the TLA; the roof was leaking and I guess he didn't feel safe performing under the conditions. I called the TLA and they told me to call back on Monday because they would know by then if he would be returning and if not I will be able to get a refund for the tickets.

Rich Dickinson

I just wanted to offer a review of the Trower show at the TLA in Philadelphia on April 9, 1999. As you may already know, he cancelled at the last minute, thus disappointing 800 eagerly awaiting fans. It was announced that the roof was leaking at the back of the stage area and that Trower was unable to perform. That would have been a little more understandable had the two opening acts not performed. Why is it that they could play, but Robin could not? They waited to make the announcement until 20 minutes after the second opening act was finished. The crowd was angry to say the least...

I'm not bashing Robin for his decision not to play, we all just wanted a little clearer understanding of what was going on.

I do want to take this opportunity to review what did happen on that night. The first band, WhoZBlueZ band played and did an adequate job doing various blues covers--nothing fancy, but pretty tight. The second act, K-Floor, was a pleasant surprise. They were young (very young - perhaps 20) and totally rocked the house. The whole crowd was pumped up... even more so after the singer/guitarist announced that he was going to give Robin a run for his money.They did mostly original stuff (I think) and closed with a cover of Killing Floor that was absolutely screaming. They are a Philadelphia based act and you can bet I'll be seeing them again soon. Very soon . . .

The Blob

Robin's concert scheduled for Friday April 9, in Philadelphia, was canceled due to a roof leak. The leak was right above stage just behind Robin. Some of his equipment was covered with tarps to protect it from the water. The official reason why the show was canceled was due to "security purposes".

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April 10, 1999 - Jaxx, Springfield, VA

Rick Crosby

I went to a Robin Trower show last night at Jaxx in Springfield, Virginia, and I just have one thing to say. WHEW!! I have listened to Robin since the early seventies, and have raised my kids on Robin. However, last night was the first time that I have actually seen him on stage, and man what a delivery! It seemed that Robin poured his soul out for everyone to hear! Very dynamic! Since I am still mystified, mere words can not pay tribute to the electrifying show that I witnessed last night, All I can really say is WHEW!! I, however, would like to say thanks for the show.

Mike C.

I saw Trower in 1975 (as a junior in high school), have been a tremendous fan ever since, and always wondered why he was never popular. From reading the reviews posted for earlier performances I wasn't sure what to expect from his show. One reviewer wrote, "a frail old man who appeared tired in the opening numbers," [freedon of speech. Definintely not my opinion - ed.}. This left me a bit nervous that one of my rock idols had not aged gracefully, and that maybe I should not go in case it destroys the image he implanted 24 yrs ago.

But NO! I was going! Besides, I wanted his autograph on his "LIVE" album I still had from summer of '75 to mount in the "rec" room next to Bruce Springsteen's picture. Yes, I am a 40 year old mature (successful) business man, but on Saturday night I was a man on a mission. To see the man whose mesmerizing guitar had inspired me over the years (however nervous I was that I might be let down by a Trower who had aged, or that the band would not sound as good without James Dewar).

NOT! I left this show just as inspired and respectful of the man's talents as I had 24 years ago. Aged? Bullshit! Robin blew the place away and was youthful. Oh sure, he was a little thin in the hair and maybe had a wrinkle or two, but was well preserved for a man of 54. As for the sound--if I hadn't seen the new bass guy I would have thought it was James Dewar himself. In fact, if I didn't know what James looked like I would have thought it was him. I never knew if James was white or black . . . and it never mattered. I do miss James and wish him well.

The opening bands were great. I Hadn't been in a place like this in a long time--it looked like a "biker bar" but the owner was cool. He told me where to go to have a good chance at the autograph. The audience was definitely mixed, from old bikers and Hippies, to well dressed business men and young people. There where many aspiring musicians (like myself) who wanted to see a "Legend".

After the last band finished the excitement grew. The bar filled to standing room only. The bar owner did the introduction, the lights went out, and a thought was in my mind, would this legend be able to match the talent of the bands who just opened. They were good and I was impressed, but I wondered, in a "technical sense", would I notice a difference between Trower and these young guys who had "burned" their guitars pretty good.

BAM! The lights hit the stage, and there was Trower in the spotlight roaring immediately into "Too Rollin Stoned" The crowed was on their feet, and I thought it was 1975. By the time he was into the third song, I had made my way down through the crowd to the front of the stage, or as close as I could get to see this legend up close. He was mesmerizing and a true master. In my mind, he separated the men from the boys. It became an immediate experience that I will cherish for another 24 yrs, though I hope it isn't that long before I see him again.

My only disappointment was that I never got that autograph. I rushed around to the back stage door while the last song was playing, as the bar owner had told me, only to find that by the time I got there Trower was gone. Perhaps he signed things inside before he left. But Robin, if you read this, next time I do want your autograph! I still have "Bridge of Sighs" waiting for it. You delivered a great show. Hope to see you soon.

Peter Kasameyer

I saw Robin play on Saturday, April 10 at Jaxx in Springfield, VA. (a nice venue, by the way) . He played up to his usual high standard, and played the same set described by other folks who have seen him this year. His tone was awesome, He played through the Hot Rod Deville and a JCM 800, both through Marshall 4x12 cabs. He had a Vox wha and a stereo Deja-Vibe, and what appeared to be an early Fulltone Fulldrive on top of his amp.

He was his usual animated self through out the performance, and appears to be having a blast! I know everybody there did. They was all Trower fans from way back, with everybody having the time of our lives. Robin didn't hang around after the show--his driver said he was ill. You certainly couln't tell by his playing!

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April 12, 1999 - Toad's Place, New Haven, CT

Neal McGarity

Veteran guitarist Robin Trower's unique brand of amplified blues-rock has invited favorable comparisons with Jimi Hendrix since the 1970's. His performance at At Toad's Place in New Haven on Monday again recalled the spirit of Jimi Hendrix, but the British guitar veteran demonstrated he is still capable of making his own discoveries with his instrument.

Long associated with a fat amplified sound that scored Trower many hard-rock successes in the 70s, Trower's current power trio kept the sound clean and focused at Toad's, mostly pursuing recent blues songs Trower has written and recorded in recent years. The sound was leaner, but Trower's pain-drenched guitar notes packed an emotional wallop. With bassist Livingstone Brown delivering whisky-throated vocals in the manner of former Trower collaborator Jim Dewar, and Alvino Bennett anchoring the beat, Trower tackled an assortment of new blues styles with relish.

The blues are clearly very serious business for Trower, who agonized over nearly every note from his Stratocaster onstage, seeming to be in an evening-long struggle for emotional release. B.B. King's "Sweet Little Angel" was packed with brooding, biting guitar outbursts. "Twentieth Century Blues," the title song from his 1994 CD, and "Blues For Soul" a brand new song, were power-packed examples of Trower's ability to takes his blues-based music forward with contemporary guitar stylings and stirring lyrics.

Though the gray-haired Trower chose not to revisit material from his early days in Procol Harum, he clearly enjoyed a few return trips to his classic 1974 album "Bridge of Sighs," which established Tower as a front-rank guitarist. His lengthy rendition of the title song was a high point of the show, as Trower's mournful guitar and slowly building crescendos followed Livingstone Brown's wistful vocals deep into blues territory. Trower fully surrendered to a nostalgia trip for the FM staple "Day of the Eagle" engaging in plenty of the heavy guitar pyrotechnics that helped start Trower's comparison with Jimi Hendrix. "Little Bit of Sympathy," another thundering track from "Bridge of Sighs" was an obvious crowd-pleaser tacked on as a finale, complete with a spirited 70's "wah-wah" guitar attack.

But the guitarist managed to combine the past and the future with his encore. Robert Johnson's "Crossroads," made famous by Cream in the 60's, was given a scorching amplified treatment by Trower, who took the song in exciting new directions and demonstrated that this old rock dog has more than a few new tricks to offer.

Geoff Flickinger

The show at Toad's Place was so incredible, he is very special! HE TORE THE HOUSE DOWN!!

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April 14, 1999 - Paradise Rock Club, Boston, MA

Carl Biancucci

In a nutshell,it was vintage Trower. Robin, Alvino Bennett & Livingstone Brown are definitely a band-it's pretty obvious they are having a great time on stage with one another, and it sounds it. As a unit, they are tight, tight, tight!

Opening was Joe Stump, from New York. Joe is an Yngwie Malsteem/Jeff Beck wannabe who, while technically competant, is doing nothing you haven't seen in a music store showroom a thousand times already. He didn't miss a cliche (sorry,Joe).

Robin, Alvino & Livingstone came out, Robin conjured up some guitar magic, and off they went into 'Too Rolling Stoned'. The set list was not unlike the 1998 set on This Was Now-'74-'98, featuring '20th Century Blues' , 'Day Of The Eagle', 'Little Bit of Sympathy' and more. Robin was very intense to watch, playing some amazing notes. His tone was 'vintage' (to quote my pal Jon).

I saw RT in Boston back in 1977 (with Rustee Allen) on the bill with Montrose, and to be honest, did not think he was as good as on his LPs. This was not the case at the Paradise, however. He was as great if not greater as I wanted him to be, and I'm definitely there if they come back to Boston. Robin was also classy enough to sigh autographs for ALL of his fans who were hanging out after the show.

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April 15, 1999 - Roxy Theatre, Northampton, PA

George Warner

I caught Robin's show last night and it was great. I was going to try to go to the Philadelphia show at the Theatre of Living Arts (TLA) on the previous Friday but I didn't make it. I learned later that the Philadelphia show was cancelled. They way I heard it, the roof was leaking water -- right on the drums -- so the show was called off. I don't know if there is a plan to reschedule.

Last night's show was at the Roxy Theatre in Northampton, PA. Northampton is just north of Allentown. It is an old, classic theatre and made a good venue for the show.

At 8:00 until 9:00, Flamin' Harry took the stage. Flamin' Harry is a (relatively) local group with a rock/blues sound. They were excellent. The four guys on guitar/vocals, bass, organ and drums really pumped out some great stuff including a slow (but really rockin') version of Foghat's "I Just Want To Make Love To You". I'll be watching for them again.

Robin took the stage at 9:30. The set list was very close (or identical) to the one already posted. They appeared to have a little microphone (or speaker?) trouble earlier on (the vocals were kind of muffled) but they got it fixed pretty quickly.

Robin tore into Too Rolling Stoned. In the second half of the song (you know), he deviated from the album score more than I had ever heard him do before. I'm not complaining -- besides, who has greater license to take the tune wherever he wants than Robin Trower, himself? I saw something in there that I *really* liked. Robin seemed to be experimenting with some new, more electronic sounds. This same sort of experimentation emerged with one of his other classic tunes from Bridge of Sighs (I forget which one it was now). I hope this is indicative of what we'll be hearing on his 2000 album.

I noticed Livvy was playing a four-string bass this time. The last time I saw him, he played a conventional five-string bass (but I think he rarely used the fifth string). Robin completed the show at about 11:00. Afterwards, being the usual great guy that he is, Robin signed autographs out back while sitting in his Lincoln. I remembered to take my Bridge of Sighs album to get it signed -- I was very happy about that.

Bob Ronyack

Read the other reviews for Robin's wardrobe and warm-up bands. Let's talk music. WOW! Don't dare miss him if you have the chance. It's been 25 years since I fisr saw Trower in concert and he was superb. A guitar virtuoso. If only Jimi were still here. Yes, Robin is THAT good!

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April 16, 1999 - Club Bene, So. Amboy (Sayerville), NJ

Les Leifken

We left in the pouring rain and drove two hours to see Robin Trower, and we were not disappointed. We got to Club Bene early and the show was already half sold out. By the time Robin came on I would say a least a hundred or more people were left out in the cold because of the capacity crowd. The Club Bene is a very large club/dinner theater setting--a great place to see a show. There was a warm up blues band that did a short set.

Robin took the stage promptly at 10:15 and burst into Too Rolling Stoned. I think Robin was a little taken back by the tremendous ovation he got when he walked on stage--the entire room came to their feet to welcome a true legend. His set was as posted from other shows. I think Livingston Brown was having vocal trouble as he seemed to be struggling and I noticed a large bottle of Chloraseptic throat spray on his rig.

Nevertheless, the show was a barn stormer with Robin's surprisingly clean sounding Strat killing on song after song. The high point of the show may have been "Bridge of Sighs"--what a version! At the end of the song the crowd came to their feet again for another long standing ovation.

Robin smiled much during the show and many times seemed humbled by his adoring fans. Before we knew it the show was over and Robin returned for the two encore songs he has been performing on this tour. A great night with a truly great guitarist! Do not miss him if you get the chance. Who knows how much longer he will chose to do these tours.

Chris Hewitt

Last night (April 16,1999) I saw Robin Trower for the very first time. I know it's amazing to think I never saw the guy before, but what can I say? I was never exposed to his music when I was growing up. Never ONCE heard him on the radio, and it's too bad, because I am sure I would have loved him. Oh well, better late than never, right?

I enjoyed the show although there were a couple of annoying people in the crowd who talked incessantly. I came very close to telling one woman to please shut up, but I refrained. I can not understand why she went to the concert if she clearly had no real interest in the music. Still… the music (when I was able to really listen to it) was excellent. The only thing I would have to say that was a bit disappointing was the fact that there were no real surprises.

I know Trower must feel some obligation to play certain classics like "Bridge of Sighs" and "Too Rolling Stoned", and they certainly were a joy to hear, but why does he always do the same four songs out of his 70's period? Those two, plus "Little Bit of Sympathy" and "Day of the Eagle" (my all time fave Trower tune), which seems to be the case for every single set list I have looked at from recent years. It would be really cool if he threw in some surprises like "Daydream" or "Long Misty Days"…

The newer material is ok… although it tended to just be standard I-IV-V blues. Plus, as I mentioned before, it was hard to really enjoy the music because of some idiots talking. Here are some titles I remember: "I Want You to Love Me", "20th Century Blues", "Prisoner of Love", "Secret Place". He encored with a slow version of "Crossroads" and then one more slow blues tune. I guess I can cut the guy some slack being as he's about 50, but I would have hoped for a bit longer show.

Trower sings on all the new stuff, and the bassist sang the classics. The instrumental sound, as you might expect, was spectacular, but the vocals were rather tepid. I know not everyone can be Jimmy Dewar, but I think Trower could find a more powerful singer if he wanted to. Oh well, we don't go to a Robin Trower show for the vocals, now do we? The guitar sounded as heavenly as I could have imagined.

All in all, I enjoyed the evening. And he is selling a new double CD set which includes one disc of a Pittsburgh concert from 1974, with Reg Isadore! It's KILLER. The other CD is a 1998 set. Haven't heard it yet, but the song list looks to be the same as what I saw last night. Two CDs for 15 bucks, a very good deal. Hey, I just noticed the title "Too Rolling Stoned" is spelled "Two Rolling Stoned" on the CD. How odd.

Oh, one last note: Trower's guitars were all tuned an entire whole step down, I suppose to make the vocal lines easier.

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April 17, 1999 - Tramps, New York, NY

Steven Ellers

I Saw Robin at Tammps in NYC last week. I hadn't seen him since 1990. All I can say is the guy seems to get better and better as he moves on in years. He played with Livingston and Alvino. The sound was great. I always wonder why a guy of RT's talent and presence has only a cult following here in the States.

He has to be the most underrated and underpublicized guitarist of all-time. But the flip-side to that is we fans get to see the man do his thing up close and personal at smaller venues. The crowd at the show of about 1000 showed he was not underappreciated.

Robin arrived on time smiling and waving. He looked like he was really looking forward to getting in on and that he did, breaking into Too Rolling Stoned for openers. He played an off-white (almost yellow) Strat with a blond neck and changed for one song to a teal looking Strat also with a blond neck before going back to the white one. Other standards he played that night were off Bridge of Sighs as well... Day of the Eagle, Bridge of Sighs and Little Bit of Sympathy. All played with his usual mix of speed and ellegance while having the notes dripping with feeling.

The rest of the evening RT kicked serious ass with selections from 20th Century Blues and Someday Blues... 20th Century Blues (the song), Prisoner of Love, Extermination Blues (in which he alternated vocals with Livingston), and an awseome rendition of Secret Place. Cuts from Someday Blues, if I remember correctly, were Someday Blues, Crossroads and I Want You to Love Me. He also threw in a preview called Blues for Soul from his upcoming CD ....nice!

I like the fact that Robin is back to the Uni-Vibe effect as opposed to the Chorus effect he'd been using for a while. It was a fat, thick and warm sound that was all TROWER. If I could ask for anything else, though, I wish he would throw in some stuff off "For Earth Below" like Shame the Devil or Tale Untold. But how could anyone complain. This guy does not disappoint.

I've been addicted to RT since 1974. I live on Long Island and saw him in '84, '86 and '90. Since then he hasn't played the Island as much, if at all. And when he plays NYC, I either hear about him being in the area after the fact or with not enough time to plan the night out.

This time, though, I made every effort to make it and it was well worth it! I brought ten people out with me. All never saw him and have heard me rave about him often. Now they know why. Robin is a unique talent who, like Clapton, just keeps getting better. Everyone I talked to after the show admits RT could hang on stage with any of the greats and more than hold his own... he'd stand out!

Maybe next time around we should all try and get the powers -that-be at the Rock and Roll Hall of Fame to show up. Robin Trower is certainly deserving of the honor. I am definitely looking forward to seeing RT back here again soon.

Carlos

I saw Robin Trower last night at Tramps in NYC. A fine show by the band. The set list was:

Too Rolling Stoned
Rise Up Like The Sun
I Want You To Love Me
Prisoner Of Love
Secret Place
I Play The Blues With Soul * New Song
Day Of The Eagle
Bridge Of Sighs
20th Century Blues
Sweet Little Angel
Little Bit Of Sympathy
Encore:
Crossroads
Extermination Blues

I went to see Trower two years in a row now and even though the band sounded great, he's got to change his set list. He basically played the same show. He's got a great body of work from which to choose from. I understand that a lot of fans want to hear the "staples" but to see the same stuff every year, I think I'll pass the next time he comes around.

Mike Short

I got to see a guitar legend once again. Robin Trower was his usual fantastic self. He is like a bottle of wine as he seems to get better with age. This was my sixth time seeing him and have i have never been dissapointed.

He opened up with the usual Too Rolling Stoned and finished with two encores, Extermination Blues and Crossroads. In between he played a few others from Bridge of Sighs, 20th Century Blues and Someday Blues CDs. He came onstage around 11 p.m. and was finished by 12:15. The only thing dissapointing about the evening was seeing Robin exit the stage and wondering how long it will be before the next tour, which in my opinion no-one should miss.

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April 23, 1999 - Jannus Landing, St. Petersburg, FL

Randy Hardison

This is my second time seeing Robin at this venue--the first being the '97 tour. It's an outdoor courtyard in downtown St. Pete, one of the better places to see a show in the area. Opening was a local kid named Damon Fowler, a teenage blues/rock prodigy who can really cook on the guitar (guess he took some lessons from Robin).

After much anticipation, Robin and the boys took the stage. Robin seemed to look refreshed and energetic, smiling and gesturing to the packed house as they launched into to Rolling Stoned. They played the standard set they have been doing on this tour, as I said before Robin seemed to have a lot of energy on this night.

The sound mix was good, but way too loud, the speakers were distorting a little, or maybe I'm just getting old. The man is a true guitar wizard, he can pour more emotion out of that Strat than anyone I've seen. Livingstone was in good voice tonight, although he seemed to look rather bored at times during the instrumental breaks. It was once again a true pleasure to hear the man make his magic, and let's hope he will continue to do so for a long time to come.

Art Wainwright

My wife and I attended the Robin Trower concert on Friday, April 23rd. This was to be my 12th show and my wife's first. The warm up band was a local blue's band from Florida named The Damon-Fowler Group. They had a very young guitarist who was trained by a music instructor from Thoroughbred Music in Clearwater, Florida. He was exceptional along with his bass player, who used a stand-up bass most of the show and occasionally used an electric bass. Their energy level was extremely high.

The sound was crisp and clear and the lead riffs were soulful and expertly executed. The crowd was very surprised; not expecting such a great opening act compared with the 1997 tour. Near the middle of the show, the lead guitarist said this was the most exciting moment of his career to be opening up for the great Robin Trower. This set started about 8:10pm and ran a little over an hour.

My wife and I were right up front to the left of the stage when Robin Trower came on about 9:55pm. He opened with Too Rolling Stoned--his traditional opening number. Sad to say, the sound quality "sucked". Livingstone Brown's vocals were totally incoherent. Robin's playing was "lost" in the mix. Robin looked in excellent health and seemed to be enjoying the crowd. Robin was playing a white stratocaster and this seemed to be one source of his sound problem.

Robin switched to an aqua strat on the forth song and his sound improved dramatically. This coupled with Livingstone Brown's bass and vocal's being turned way down made the sound quality sound like days of old. But after the song was over, Robin switched back to the white strat the volume came up on the bass and the sound got terribly muddy again. By this time, we had moved away from the front of the stage. Robin started to play Bridge of Sighs and the crowd went wild. At this point, I could not stand the mix nor the vocals and for the first time in twelve shows I left.

Jannus Landing is not the best arena for sound reproduction but the opening band – Damon Fowler sounded excellent. So I am led to believe that the sound crew was not doing their job. I wish Robin could have been in the crowd listening to his music. I am sure such a pioneer of pyrotechnic blues and innovator of Univibe sounds would have found the sound quality to be unacceptable. No matter how good Robin plays on stage he is only as good as the sound coming out of the speakers.

Luckily, I have many fond memories to fall back on from previous shows. I am sure Robin will be playing many more memorable shows in the future but Robin needs to get a new lead vocalist and tighten up the sound. I am looking forward to the release of his new album next year.

M. Pierson

I agree with the description of the sound by Art (the reviewer abocve). I love this mans music and have seen him everytime he has ben here in the Tampa Bay area. On this night though the sound just was not mixed right during Robins set. I really miss Davey Pattison's singing (Passion, Take what you need, and In The line Of Fire) All in all, it was still great to see Robin looking so well.

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April 28, 1999 - Ziggy's, Winston-Salem, NC

Tommy Schenck, FOX 50, WRAZ-TV

Robin took stage at 10:15 p.m. and put on an incredible show. He seemed relaxed and appeared to be genuinely having a good time. His drummer is awesome, and while I was skeptical of his bass player's vocals after hearing "This Was Now", he is much better live, and he's a solid base player/musician.

This new rhythm section is extremely tight...reminds me of Hendrix's Band of Gypsies backup: solid and tight....a great platform for Robin's masterful improvisation.

It's so refreshing that there are still a hand full of veteran pros out there providing quality playing... with feeling. So many of today's guitarists are heavy on technique and effects... but lacking in style, restraint, and the art of phrasing. Robin, Clapton and B.B. understand what they don't play. The notes they leave out are often more important.

Robin appeared healthy, humble, happy, sober, and committed to having fun doing what he does best. He is indeed a legendary artist. A great show. Don't miss it!

Paul Frith

I am a big Robin Trower fan and had the opportunity of attending his show in Winston Salem NC on April 28 1999. He appeared at a local well known bar on a cold rainy Wednesday night. I'm 41 and first heard him when he released Bridge of Sighs in 1974. I was always a big guitar fan, and only followed the true legends like Jeff Beck, Jimmy Page, Carlos Santana, and naturally Robin Trower. I was a little anxious to see this legend as I have never seen him live before.

I had to pop in my CD copy of Bridge of Sighs on the way to the concert, and allow the music to remind me how much of an honor it would be to see one of my guitar heros. He opened with To Rolling Stoned, and absolutely played flawlessly. The sound system was extremely clear, for a small club, and the crowd was a mix of older Robin Trower fans like myself, who actually knew how lucky we were to be witnessing this great talent, and a mix of young kids who were just there for the beer.

He played with perfection, and really put his feelings and commitment to his playing on the line. Quite impressive for someone on a tour like this, day in and day out, playing in a different place.

He looked great, and with some white hair, but in really good shape. The bassist and drummer were really talented and the whole act was first class and one that I will never forget. His list of songs were ombinations of the Bridge of Sighs era, and some takes on other albums that I never bought. I will certainly go out and get some of his later stuff as a result of his playing that night.

Man what a treat, to see this great talent, in good shape and playing like an absolute genius. This guy made the entire world stand up and take notice back in 1974, and still makes everyone who like great guitarist hold their breath. To top it off my wife stood in line and got Robin to autograph a really nice Robin Trower T-Shirt for me. I told her to tell him that "my husband had been a fan of his for over 25 years and really loved his music". She said his response was, "well why didnt he come down and stand in line instead of her". He sat in his car, and signed ever ones CD's or album covers or T-Shirt until the line was gone.

What a great guy, and talent. I wont forget this one.

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April 30, 1999 - House Of Blues, Myrtle Beach, SC

Matt Osborne

Summary:

Although hampered by a lackluster crowd and a predictable set list, Robin turned in a stellar personal performance. The band was tight, yet allowed Robin considerable freedom for creative expression, articularly during the lengthy solo passage that concluded "Bridge of Sighs." With the exception of Allan Holdsworth, Robin arguably has no peer among contemporary guitarists.

Upside:

Robin's tone and phrasing were extraordinary. He never seems to phone in a performance. Indeed, the April 30 show had a rather intense vibe that seemed to fuel an increased expressiveness in Trower's solo passages.

Downside:

Two factors dimished the overall success of the show. First, the crowd was rather lackluster. The crowd seemed to consist mostly of persons looking for a night out rather than hard core Trower fans. Second, Trower's set list has become rather predictable. The song sequence was the same as that listed in the reviews section for the March 17 Orangevale show and it differed only slightly from the set lists of the 1997 and 1998 tours. Although "No Time" and "Blue for Soul" were welcome additions, a surprise or two would have been nice.

Highlights:

Trower's performance of the new number "Blue for Soul" was dynamite. Other highlights included "Secret Place" and the concluding solo on "Bridge of Sighs."

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